# 2 Odoyá
Feb 4, 2009
One of the most beautiful contributions that African people brought to Brasil is the Candomblé. It is a very important knowledge that survives and modifies itself through the time. Part of this beauty we find just in this capacity to change by joining elements from other cultures – like the homage to the native people from Brasil in the Caboclo´s cult, that we will see better at his glorious moment, on June.

Lots of oral traditions, maybe all of them, are able to change and not mischaracterize it selves. The fact is that culture is always in movement, and if we search for purity, we take the risk to find illusions or frustrations, it depends on how much sincerity we have with ourselves... whatever! Today I must write about Yemanjá, the great mother. An orisha very respectful, about who Pierre Verger, this great French anthropologist and photographer wrote:
“Yemanjá, whose name is derived from Yeye oman ejá, ‘The Mother whose children are fish,’ is the Orishá of the Egbás, a Yoruba nation once established in the Ibadan region, where the
Yemanjá River still flows. Wars between the Yoruba nations forced the Egbás to migrate westward to Abeokutá in the early 19th century. Clearly, they could not take their river with them, but they did take her sacred objects, the basis of divinity’s Ashé (...)” (published in African Gods in the Candomblé of Bahia, a book of drawings by Carybé, a great Argentinean artist who lived in Bahia for many years – both drawings that are reproduced in this post were taken from this book, the Yemanjá’s instrument, and the Rio Vermelho´s Party, in Salvador)
At the end, Mãe Filhinha hugged everybody and went home to cut the party’s cake. I didn’t have gone myself to this party, unfortunately. So, I must thank the photos that I reproduce here to Beatriz da Conceição, my dear Bibi, an exceptional warrior for the traditional culture in Recôncavo, and a good friend.
Just to finish with another citation from Verger:
"The salutations for Yemanjá are extremely interesting:
'Queen of the waters who comes from the house of Olokum.
She wears a dress of beads in the market.
She waits, proudly seated, before the king.
Queen who lives in the depths of the waters.
Our mother of the weeping breasts' "
#1
Jan 25, 2009


People who first arrived in this new world, both africans and europeans, had to face the weather issues, and had to learn efficient mechanisms to make life works here. Sure there were frequently contacts with native people, who shared their survival knowledge with foreigners. Unfortunately, christian's faith did not accept living together with other traditions, and it must have seemed impossible for those Tupi nation’s communities to keep their political and cultural autonomy among civilizables.
To keep the local economy moving, sugar-engine owners were always in need of workers. To satisfy this demand they started close relations with some african nations that used to conquer

villages and make slaves.Lots of people were commercialised in change of tobacco those days. The arrival of different ethnic groups from African continent, allied with the dominant Iberia culture and native knowledge, gave origin to a brand-new culture. Recôncavo’s territory has watched the meeting of a bunch of different ways of life, a bunch of peculiar approaches to existence. They all had to learn how to live together.
That’s what I intend to post in this blog. Pieces of this culture displayed in videos, photos and words. I know that my english is far away from perfection, but whatever, I think that I can be understandable.
My desire is to talk with people from world, so I must use english... even a full of mistakes one! And you don't need to have a perfect english to comment, of course.
